04Nov
MR. JO TG-H — The Long-Working, Perfect-Finish Tile Grout
When large jobs, textured tiles and tricky shading demand time — TG-H keeps you in control.
04Nov
Fix it tonight, run the floor tomorrow — MR. JO Tecseal-CRP to the rescue
Quick, tough, no-fuss concrete repair putty — designed to stop potholes, fill cracks, and repair peeling concrete so your floor is safe and serviceable the very next day.
The scene every facility manager knows too well
It’s Monday morning. A forklift hits a low spot near the...
04Nov
Which Artcast Should You Use? — A practical, problem-solving guide to CC33, CC33i and FS33
Which Artcast Should You Use? — A practical, problem-solving guide to CC33, CC33i and FS33.
When you’re making resin art, the right casting resin turns a good idea into a gallery piece. Pick the wrong one and you get haze, bubbles, heat problems or endless sanding....
04Nov
MR. JO Artcast — FS33: Bis-A-free casting for health, regulatory or sensitivity-conscious art
Hook — the studio that wants clean chemistry
An educational studio makes workshops for kids and public demos. They want crystal-clear resin results but prefer to avoid Bisphenol-A based chemistries for health, safety or regulatory reasons. The problem Some clients, buyers or certification environments restrict or prefer...
04Nov
MR. JO Artcast — CC33i: Faster crystal-clear casting for small to medium art and quick turnaround
Hook — the maker with weekend orders
Same studio, different demand: Same artist now has small batch commissions due in days. She needs that crystal finish but can’t wait the long cure of a slow system. The problem Small commissions and rapid deliveries need a resin that...
04Nov
MR. JO Artcast — CC33: Crystal-clear slow-cure casting for gallery-grade pieces
Hook — the artist with the embedded ocean
Priya makes large clear resin river tables and casts seas of shells, coins and dried botanicals. Her problem: small bubbles, trapped dust, and cloudiness that show up after final cure and ruin the “crystal” look. She needs...
03Nov
Choosing the Right Artglue: CG50 vs CG50i vs CG50s vs CT50i — a problem-solving guide for artisans
Choosing the Right Artglue: CG50 vs CG50i vs CG50s vs CT50i — a problem-solving guide for artisans
When you’re building an artwork, tabletop, tray or ornament, the difference between good and gallery-ready is almost always the finish. The CG50 family was made so artisans stop worrying...
03Nov
MR. JO Artglue — CT50i
The thick, glass-deep finish for showpiece art and stone inlays
Hook — the commission that needed depth
Arun, a stone-inlay artist, had a 3 ft tabletop commission: richly veined marble pieces set into a dark base. He wanted a single, deep, glassy surface that made the...
03Nov
MR. JO Artglue — CG50
The balanced, moderate-cure gloss that makes large flat work look effortless
Hook — late-afternoon at the workshop
Meera runs a small studio that makes decorative trays and wall panels. She gets commissions for large, flat pieces — sometimes 2–3 ft across — and every time she...
01Nov
The fast, no-sag glass finish that saves curved and vertical art
The fast, no-sag glass finish that saves curved and vertical art
Hook — the artisan’s late-night panic
It’s late. Ramesh, a wood sculptor, has just finished the final sanding on a small curved figurine commissioned for a gallery show tomorrow. He needs a high-gloss, glass-like coat that...